{"id":1598,"date":"2020-07-06T12:36:42","date_gmt":"2020-07-06T11:36:42","guid":{"rendered":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/?p=1598"},"modified":"2020-07-06T12:36:43","modified_gmt":"2020-07-06T11:36:43","slug":"armys-annual-fringe-event-regroups-with-three-weeks-of-online-arts-events","status":"publish","type":"post","link":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/?p=1598","title":{"rendered":"Army\u2019s Annual Fringe Event Regroups with Three Weeks of Online Arts Events"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Army@TheFringe<\/em>&nbsp;has been transformed for 2020 and will offer a richly varied three-week programme of online workshops, readings, performances and discussions for the arts community and the public.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rebadged as&nbsp;<em>Army@TheVirtualFringe<\/em>&nbsp;its focus will shift from hosting Edinburgh Fringe shows to providing practical insights and advice from a wide variety of emerging and established arts and cultural practitioners.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Films, live-from-home performances and screenings are also planned, plus rehearsed readings of shows that were scheduled to take place on stage at the Army\u2019s Hepburn House Fringe venue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The online event has been welcomed by&nbsp;Brigadier Robin Lindsay, operational head of the Army in Scotland, as a way of continuing the work of&nbsp;<em>Army@TheFringe<\/em>&nbsp;to work with the arts community and promote debate about key issues.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Between 10 and 30 August there will be more than 40 free online events \u2013 with Week 1 dedicated to film and photography, Week 2 devoted to theatre and Week 3 exploring poetry, books and visual art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Lieutenant Colonel Wendy Faux, head of arts for the Army (<em>pictured<\/em>), said:<\/strong>\u00a0\u201cAfter the cancellation of this year\u2019s Edinburgh Festival Fringe we talked to the arts community about how we could reshape\u00a0<em>Army@TheFringe<\/em>\u00a0to give them some support.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThere was huge enthusiasm for a digital event that provided practical insights and ideas for arts professionals as they prepare to rebuild after lockdown.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe result is&nbsp;<em>Army@TheVirtualFringe&nbsp;<\/em>which brings together some remarkable people, from a multitude of backgrounds, to share their knowledge and experience \u2013 and also has performances and events that we hope will appeal to the public.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIn keeping with our past events, we will continue to put a strong emphasis on promoting diversity and providing forums to discuss a wide range of issues.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wendy is also a photographer and her exhibition,&nbsp;<em>Not Just a Wife<\/em>, was shown during Army@TheFringe in 2018.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Those taking part this year include James Robert Moore whose play,&nbsp;<em>POSTERBOY&nbsp;<\/em>(based on James Wharton\u2019s autobiography&nbsp;<em>Out In The Army: My life as a gay soldier<\/em>), was due to be premiered as part of&nbsp;<em>Army@TheFringe<\/em>2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He said: \u201cIt\u2019s so exciting and comforting to still be involved with something that celebrates Fringe&nbsp;plays, even though the future of theatre is currently uncertain. Our hope is that the plans we had for&nbsp;<em>POSTERBOY&nbsp;<\/em>this year can be rolled over to 2021, and that in the meantime anybody who is missing live theatre can join in this August and watch the&nbsp;week&#8217;s virtual festivities.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">James will be involved in three online sessions, one of which will feature six actors performing a 20-minute section of the play.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There will also be Charlotte Green, writer and producer of&nbsp;<em>Lest We Forget<\/em>, which follows the fight against prejudice faced by a black veteran and white Northern woman in Britain after the First World War.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oliver Yellop, writer and actor, will perform&nbsp;<em>I Am Gavrilo Princip<\/em>, his play about the Bosnian Serb whose assassination of Archduke Franz Ferdinand sparked WWI, live from his living room and will also discuss making solo works.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the world of dance there will be Rosie Kay, creator of the internationally acclaimed&nbsp;<em>5 Soldiers<\/em>, which premiered at&nbsp;<em>Army@<\/em><em>TheFringe<\/em>&nbsp;plus the rare chance to see a screening of&nbsp;<em>10 Soldiers<\/em>, an expanded version of the original.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Roman Baca, former classical ballet dancer, US Marine and Iraq veteran, and founder of Exit 12 dance company, will talk about interpreting military themes in dance.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Also taking part will be author and artist Harry Parker, Army Photographer of the Year 2019 Corporal Rebecca Brown and founder of the new&nbsp;<em>Liberally<\/em>&nbsp;online arts platform Daisy Rogers \u2013 who will lead a session on minority voices.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Daisy said:<\/strong>&nbsp;\u201c<em>Liberally<\/em>&nbsp;champions the stories and narratives of minority voices across the liberal arts; we believe in the structural and cultural necessity for diversity both within the Army and throughout society as a whole. The arts in general, and events like this in particular, can play a valuable role in making that happen.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Themes covered in&nbsp;<em>Army@TheVirtualFringe<\/em>&nbsp;workshops will extend from mask making, the use of film and photography and preparing plays for radio to making music for productions, theatre design for the Fringe and staging a show at&nbsp;<em>Army@TheFringe<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A number of those taking part in the event had been planning to present shows as part of&nbsp;<em>Army@TheFringe<\/em>&nbsp;and it is hoped that these productions will take place in 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Brigadier Robin Lindsay said<\/strong>:&nbsp;\u201cWe launched&nbsp;<em>Army@TheFringe&nbsp;<\/em>four years ago as a way of sparking conversations about diversity and identity by hosting performances that offered insights on life in and out of uniform. Those discussions have ever been more important.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWhile Covid-19 has meant that the Edinburgh Fringe can\u2019t go on as normal, I am delighted the Army can draw on its organisational resources to help carry the&nbsp;torch and to provide support to the arts community at a time when it faces immense challenges.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe also look forward to returning in full force with live productions at our&nbsp;<em>Army@TheFringe<\/em>&nbsp;venue 2021.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jordan Blackwood, Producer of&nbsp;<em>Army@TheVirtualFringe<\/em>,<em>&nbsp;<\/em>added:<\/strong>&nbsp;\u201cCreating an entirely new event from scratch, under lockdown conditions and with limited time has been quite a challenge \u2013 but the arts sector and the Army are amazingly adaptable.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThanks to their energy and commitment we have put together a great programme of workshops, shows, screenings, readings and discussions. We hope they will contribute to the huge efforts the sector is making to innovate and recover from a pandemic which has been devastating for society, culture and the arts.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Heather Marshall, who presented&nbsp;<em>The Happiness Project<\/em>&nbsp;with Edinburgh\u2019s Creative Electric theatre group at the 2019&nbsp;<em>Army@TheFringe<\/em>&nbsp;will this year be working with&nbsp;young people to deliver arts activism workshops resulting in an online gallery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8211; Ends &#8211;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Notes for editors<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About Army@TheFringe<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>See attached programme for the line-up or visit our website.&nbsp;<em>Army@TheVirtualFringe&nbsp;<\/em>events are free but places need to be reserved in advance at&nbsp;<a href=\"http:\/\/www.Army@thefringe.org\/\">www.Army@TheFringe.org<\/a>.<\/li><li>Further pictures are available from DropBox&nbsp;<a href=\"https:\/\/bit.ly\/2BYIt8f\">https:\/\/bit.ly\/2BYIt8f<\/a>&nbsp;or on request.<\/li><li>Army@TheFringe was established to present a diverse programme of performances that tell stories of life in and out of uniform.<\/li><li>It normally takes place at Hepburn House, an historic Army drill hall in Edinburgh\u2019s New Town, which offers a variety of performance spaces, a relaxed and comfortable Mess Bar plus an Army Tuckshop.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Shows from past years<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Army@TheFringe has a track record of presenting bold, high quality, independently produced performance art. Highlights last year included:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong><em>Dead Equal:&nbsp;<\/em><\/strong>All-female opera performed by three world-class sopranos telling the forgotten true story of Flora Sandes, heroine of the Allied frontline in World War I.&nbsp;&nbsp;<\/li><li><strong><em>The Happiness Project:&nbsp;<\/em><\/strong>Queer theatre looking at the need for non-sexual physical contact in a digital age.&nbsp;&nbsp;<\/li><li><strong><em>Unicorns, Almost:&nbsp;<\/em><\/strong>Owen Sheers\u2019 play about the poet Keith Douglas and his Faustian pact with war. Initially as an audio experience and then as a live performance.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">The 2018 dance theatre production&nbsp;<em>The Troth<\/em>, from the Akademi, (\u2605\u2605\u2605\u2605\u2605&nbsp;<em>Broadway Baby<\/em>,&nbsp;\u2605\u2605\u2605\u2605&nbsp;<em>Herald<\/em>)<em>&nbsp;<\/em>won Herald Angel and Lustrum awards with its portrayal of the experiences of South Asian soldiers on the Western Front in World War I.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2017&nbsp;<em>5 Soldiers,<\/em>&nbsp;from the Rosie Kay Dance Company, achieved huge critical acclaim with a string of&nbsp;\u2605\u2605\u2605\u2605&nbsp;and&nbsp;\u2605\u2605\u2605\u2605\u2605&nbsp;reviews and went on to enjoy major national and international success.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Facebook&nbsp;<\/strong>@Armyatthefringe<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Twitter&nbsp;<\/strong><a href=\"https:\/\/twitter.com\/ArmyatTheFringe\"><strong>@<\/strong>ArmyatTheFringe<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Website:<\/strong>&nbsp;<a href=\"http:\/\/www.armyatthefringe.org\/\">www.Armyatthefringe.org<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For media information about Army@TheFringe contact Matthew Shelley at SFPR on 07786704299 or&nbsp;<a href=\"mailto:Matthew@ScottishFestivalsPR.Org\">Matthew@ScottishFestivalsPR.Org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Army@TheFringe&nbsp;has been transformed for 2020 and will offer a richly varied three-week programme of online workshops, readings, performances and discussions for the arts community and the public.&nbsp; Rebadged as&nbsp;Army@TheVirtualFringe&nbsp;its focus will shift from hosting Edinburgh Fringe shows to providing practical insights and advice from a wide variety of emerging and established arts and cultural practitioners. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1599,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[9,12,13,10,11],"class_list":["post-1598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-army","tag-dance","tag-edinburgh","tag-fringe","tag-theatre"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/1598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1598"}],"version-history":[{"count":1,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/1598\/revisions"}],"predecessor-version":[{"id":1600,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/posts\/1598\/revisions\/1600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=\/wp\/v2\/media\/1599"}],"wp:attachment":[{"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cool-banzai.185-132-38-6.plesk.page\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}